Irish Melodies by Thomas Moore

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PREFACE.
IX
an eminent dentist of that name, who played with much taste and feeling on the flute, and unluckily for himself, was but too deeply warmed with the patri­otic ardour then kindling around him, was the first who made known to me this rich mine of our country's melodies:—a mine, from the working of which my humble labours as a poet have since de­rived their sole lustre and value. About the same period I formed an acquaintance, which soon grew into intimacy, with young Robert Emmet. He was my senior, I think, by one class, in the university; for when, in the first year of my course, I became a member of the Debating Society,—a sort of nursery to the authorised Historical Society—I found him in full reputation, not only for his learning and elo­quence, but also for the blamelessness of his life, and the grave suavity of his manners.
Of the political tone of this minor school of oratory, which was held weekly at the rooms of different resident members, some notion may be formed from the nature of the questions proposed for discussion, — one of which, I recollect, was, "Whether an Aristocracy or a Democracy is most favourable to the advancement of science and literature ? " while another, bearing even more pointedly on the re­lative position of the government and the people; at this crisis, was thus significantly propounded: — " "Whether a soldier was bound, on all occasions, to obey the orders of his commanding officer?" On the former of these questions, the effect of Emmet's eloquence upon his young auditors was, I recollect,
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